Peter Gabriel 2 (Scratch) equipment

Peter Gabriel 2 (also referred to as "Car") was Peter Gabriel's second eponymous solo album, released in 1978. It was produced by Robert Fripp.

Recording for the album took place from Autumn 1977 through to 1978. Most of the album was cut in the Netherlands, with vocals recorded the Hit Factory in New York.

Very little information is currently available about the exact production details of this album. Apparently, according to Larry Fast, Robert Fripp was against the idea of photos being taken during the sessions, so very little photographic evidence exists which could have helped provide greater technical insights.

Peter Gabriel

 * Piano
 * Hammond organ
 * Moog Polymoog 203a (possibly)
 * Yamaha CS-80(?)

Tony Levin
Basses Effects
 * Chapman stick
 * Fender Precision - possibly used someplace
 * MXR CSP-026 Phase 90

Larry Fast
(partial section)
 * Moog Polymoog 203a
 * Moog Minimoog Model D
 * Moog Model 15 modular
 * Oberheim DS-2 digital sequencers
 * Oberheim SEM Synthesizer Expander Modules

Treatments
 * MuTron BiPhase dual phaser ("White Shadow" phased keys)

Todd Cochran (Bayete) (additional keys)

 * ARP 2600 (modified)
 * Hohner Clavinet D6
 * Moog Minimoog
 * Moog Polymoog 203a
 * Oberheim Modular System (modified)
 * Yamaha stage acoustic piano

Many thanks to Todd Cochran for providing this information.

Sid McGinnis

 * 1955 Fender Stratocaster (refinished sunburst) - Sid's main guitar since 1975, therefore likely used for this album

Source: Sid McGinnis rig rundown video (0:45 - Stratocaster)

Jerry Marotta

 * Pearl black drum kit?
 * Pollard Syndrum - heard on "A Wonderful Day In A One-Way World"

Microphones

 * AKG (unknown models)
 * Electro-Voice:
 * RE-20: Vocals at the Hit Factory
 * Neumann (unknown models)
 * Sennheiser (unknown models)
 * Shure (unknown models)

Outboard gear
note: degree in precision of details concerning outboard gear specifics vary between reports each about Relight Studios and Trident Studios, so separate lists are made of outboard at each studio to accommodate for this
 * Compressors:
 * A&D: Relight
 * Pye: Relight
 * Teletronix LA-3A compressor: Trident Studio
 * UREI (models unknown): Relight
 * UREI 1176: Trident
 * Universal Audio 176 tube compressor: Trident
 * Digital delays & effects processors:
 * Eventide H910 Harmonizer: Relight and Trident
 * Eventide 1745 Digital Delay: Relight and Trident
 * Gotham 101 Delta T delay: Trident
 * Reverberation:
 * EMT stereo plates: 3 at Relight, 1 at Trident
 * Other:
 * (Allison?) Kepex noise gates (x4): Trident
 * (Allison?) Gain Brain noise gates (x4): Trident
 * Eventide Flanger: Relight
 * Orban 536A dynamic sibilance controller: Trident

Tape machines

 * MCI JH24 24-track (Relight Studio 1)
 * Studer A80 2-track (Relight & Trident)
 * Studer A80 24-track /w Dolby NR (Trident Studios)
 * Studer B62 (Trident Studios)
 * Studer C37 2-track (Trident Studios)

Mixing consoles

 * Midas 36/28 console (Relight Studio 1)
 * Triad A series 40/8 console (Trident Studios)

Monitors

 * JBL 4350's (Relight, powered by Amcron DC300A amps)
 * JBL 4320's (Trident, powered by Quad 303)
 * Auratone 5C's