Genesis Invisible Touch equipment

Phil Collins
Drums:
 * Gretsch White concert tom kit

Cymbals:
 * Sabian cymbals & possibly Zildjian

Drum machines & electronics:
 * E-mu SP-12
 * Linn LinnDrum
 * Roland TR-808 ("In Too Deep")
 * Roland TR-727
 * Roland PAD-8 Octapad
 * Simmons SDS-V
 * Simmons SDS-7

Tony Banks
Keyboards & Synthesizers:
 * E-mu Emulator II
 * New England Digital Synclavier II
 * Sequential Circuits Prophet-10
 * Sequential Circuits Prophet T8
 * Roland MKS-80 Super Jupiter
 * Yamaha DX7
 * Yamaha CP-70

Effects
 * AMS RMX-16 digital reverb
 * Yamaha SPX90
 * Yamaha REV 7 digital reverb

Misc.
 * Akai S612 sampler

Mike Rutherford
Guitars
 * 1975 Fender Stratocaster USA sunburst
 * Steinberger L2 black bass
 * Steinberger GL2T guitar

Amplifiers
 * Marshall?

Effects
 * AMS RMX-16 reverb
 * Dbx 160
 * MXR
 * Orban 622 graphic EQ
 * Lexicon PCM-41 delay (x2)

Microphones
Note: Hugh often brought microphones from project to project, rather than using proprietary microphones, so details are listed here

Drums:
 * Kick:
 * Neumann U47 FET (assumed)
 * Snare:
 * Shure SM57 (assumed)
 * Toms:
 * Beyerdynamic M88
 * Hi-hat:
 * AKG C451 (assumed)
 * Cymbals:
 * Neumann (U67 or 87, x2)
 * Drum ambience:
 * Neumann U87 (x2, assumed)

Vocals:
 * Beyerdynamic M88

Mixing console

 * Solid State Logic SL4056E /w Total Recall automation

Tape machines & mastering equipment

 * Studer A800 mk. III 24-track (x2) with Dolby SP24 noise reduction
 * Studer A80RC 2-track
 * Sony PCM-1630
 * Sony DAE-1100 editing system
 * Sony DMR-2000 U-Matic VCRs
 * various cassette and videocassette decks

Effects & processors

 * Audio & Design Recording SCAMP rack units
 * AMS DMX 15-80S digital delay
 * AMS RMX-16 digital reverb
 * Drawmer noise gates
 * EMT Tube Plate reverb
 * Friendchip SRC
 * Lexicon PCM-41
 * Neve 1078 EQ
 * Quantec QRS Room Simulator
 * UREI LN1178 compressor/limiter
 * Valley People Dyna-Mite
 * Valley People Kepex II noise gates
 * Valley People Gain Brain compressors/limiters
 * Yamaha REV 7 digital reverb

Monitoring system

 * Acoustic Research AR18s
 * Auratone 5C monitors powered by Quad 520 amps
 * UREI monitors driven by Crown PSA-2 amps - later replaced by Westlake HR-1's
 * Yamaha NS-10Ms

Sources:

 * Recording Engineer/Producer, July 1987