Peter Gabriel Up equipment

Up is Peter Gabriel's seventh studio album (and 13th overall), released in September 2002 on Real World Records 10 years after Us. As of 2022, this is his last album of new material.

Principal recording work for the album took place between Spring 1995 and October 1998, with additional touches laid down in the tow years prior to the album's release.

A large portion of technical details have been covered in a May 2003 Sound On Sound feature, with additional information from photos originating from the sessions.

Peter Gabriel
Instruments
 * Akai MPC-60
 * Akai MPC-3000
 * Clavia Nord Lead
 * E-mu Emulator IV
 * Fender Telecaster - guitar noises on "No Way Out" and "The Barry Williams Show"
 * Kurzweil K2600
 * Korg Wavestation
 * Korg 01/W ProX
 * Korg Triton
 * Korg Triton Rack
 * Korg Z1 (?)
 * Novation Bass Station
 * Roland RD-1000 digital piano

Other:
 * Lexicon JamMan
 * Mutator
 * Gigasampler (Flying Keys)
 * UVI Waveframe software

David Rhodes
Guitars
 * Fender Jazzmaster - used almost exclusively on "Up"
 * Steinberger 12-string

Amplifiers
 * Rivera Bonehead stack

Effects & pedalboard
 * Boss BF-2 Flanger
 * Boss OC-2 Octaver
 * Boss TR-2 Tremolo
 * Electro-Harmonix Electric Mistress flanger
 * Matchless preamp
 * Mesa/Boogie V-Twin
 * Morley volume pedal
 * Roger Mayer Octavia
 * Roger Mayer Voodoo Vibe
 * Roger Mayer-upgraded Wah Wah pedal
 * T.C. Electronic Distortion

Sources: Guitar Techniques Magazine April 1998, photos

Tony Levin
more gear to be identified Source: 1996 photos, Tony Levin Road diaries 1999, Road Diaries 1996
 * Music Man Stingray 4-string (tortioseshell pickguard)
 * Music Man Stingray 4-string (black pickguard, natural)
 * Music Man Stingray 5
 * Music Man Stingray - new bass
 * Ovation Magnum I
 * Ned Steinberger (NS) Upright electric bass
 * Status electric bass

Manu Katche

 * Yamaha drums (assumed) - 2 conventional kits
 * MIDI kit (model unknown)
 * Ethnic kit

Source: The Making of Peter Gabriel's Up, various

Ged Lynch

 * Premier drums
 * Latin Percussion instruments

Chris Hughes

 * Supercollider programming ("No Way Out")

Microphones

 * Vocals:
 * Sony C800G (vocals)
 * Shure SM58 (vocals)
 * Neumann U47 valve (vocals)

other microphones uncertain

Tape machines & recording materials

 * ADATs
 * Sony 3348HR digital 48-track
 * Studer A820 analogue 24-track

Outboard gear & effects
Treatments:
 * Eventide H3000 Harmonizer
 * Quantec QRS Room Simulator reverb
 * Deltalab DL-2 digital delay
 * Roland SDD-320 Dimension D (?)

Mixing consoles

 * Mackie 48-channel mixer
 * Neve 33-series 32-channel desk - writing room
 * Neve console - installed in Big Room for Band tracking sessions
 * Sony Oxford OXF-R3 recording console - writing room
 * SSL G-series console

Miscellaneous

 * 32-track Pro Tools system
 * Mackintosh 8100 computers (x3)
 * Mackie HR824 nearfield monitors - writing room
 * Neil Grant Boxer 3 speakers
 * Neumann KU 1000 binaural head - Tchad Blake mixing & treatments for strings on "Signal To Noise" etc.