Peter Gabriel So equipment

Peter Gabriel
Instruments
 * Aiwa CA-W20 boom box
 * Linn LM-1 drum machine
 * LinnDrum drum machine
 * Linn 9000 drum machine
 * E-mu Emulator II
 * Fairlight CMI Series IIx
 * Friendchip SRC SMPTE Reading Clock
 * Sequential Circuits Prophet-5 (rev 5 and rev 3.3)
 * Yamaha CP-70 grand piano
 * Yamaha CP-80 grand piano
 * Yamaha CS-80

Effects
 * AMS
 * Boss CE-1 Chorus Ensemble
 * Boss CE-3 Chorus (x2)

Simon Clark

 * Hammond B3 organ /w Leslie 122 speaker ("Big Time")
 * Fairlight CMI Series IIx
 * Yamaha CS-80 ("Don't Give Up" choruses)

David Rhodes
Guitars:
 * Steinberger G2 6-string (“Big Time” & “We Do What We’re Told”)
 * ‘62 Fender Stratocaster
 * '63 Fender Jazzmaster
 * Ovation 12-string

Amps:
 * Roland JC-120 Jazz Chorus
 * Marshall
 * Mesa/Boogie

Effects:
 * Boss CE-2 Chorus
 * Boss DS-1 Distortion
 * Boss SD-1 Overdrive (“Big Time”)

Daniel Lanois
Guitars:
 * Fender Jazzmaster (green) - e.g. surf guitar parts on "Big Time"
 * Ovation 12-string?

Amplifiers:
 * Fender Deluxe

Tony Levin
Basses:
 * Music Man Black Sabre 4-string (“Sledgehammer” bass)
 * Steinberger(?)
 * Chapman stick

Effects:
 * Boss OC-2 Octaver e.g. "Sledgehammer"
 * Boss DSD-2
 * Ibanez UE-303B(?)

Manu Katché

 * Yamaha drums
 * Zildjian cymbals
 * assorted African and Latin percussion instruments

Jerry Marotta

 * Yamaha drums
 * Zildjian cymbals

Stewart Copeland
Stewart plays drums on "Big Time" and hi-hat on "Red Rain". His drum parts on "Big Time" were largely sampled into an AMS and spun into the song so it could be kept in time with the drum machine.

Jeff Seitz (Stewart Copeland's drum tech) on Stewart's So setup: "It was a PG studio drum set that everybody used [probably a Yamaha kit]. I just brought a snare [Pearl 5" x 14" snare /w Chrome over brass shell], hi-hats [Paiste Formula 602 13" heavy hi-hats], pedal and his special backrest throne along with a cymbal bag that may not have been used.

Larry Klein

 * Yamaha BB5000 5-string fretless ("In Your Eyes", "Mercy Street")
 * volume pedal

Chris Hughes

 * Linn LinnDrum ("Red Rain" drum programming)

Microphones
Drums:
 * Kick:
 * Sennheiser D112 or Electrovoice RE-20
 * Snare:
 * Shure SM57
 * Hi-hats:
 * AKG C451
 * Toms:
 * Sennheiser MD421s
 * Overheads:
 * Neumann U87s

Guitar amps:
 * Sony C500
 * Shure SM57

Keyboard PA (Hammond organ?): Vocals:
 * Neumann U87s
 * Shure SM57 - initial choice of lead vocal mic, likely used for scratch vocals
 * Neumann U47 (lead & background vox)
 * Neumann U67 (background vox)

Outboard gear
Delay lines/pitch shifting/sampling:
 * AMS DMX 15-80S stereo digital delay/harmonizer with 1.6-second sampling
 * AMS DMX 15-80S stereo digital delay/harmonizer with 14-second sampling (received July 1985)
 * AMS DMX 15-80 mono delay/harmonizer
 * Deltalab DL-2 acoustic couplers (x2)
 * Eventide H910 Harmonizer
 * Korg SDD-3000 digital delay
 * Roland SDE-3000 digital delay

Reverberation:
 * AMS RMX-16 (x2)
 * EMT 140 plate
 * Lexicon 224
 * Quantec Room Simulator
 * Sony DRE-1000

Compressors:
 * Audio & Design Vocal Stresser F769X-R
 * Brooke Siren DPR402
 * Dbx 160s
 * Decca valve compressors (x4)
 * Universal Audio LA-2A (x2)

Equalisation:
 * MXR 10-band graphic EQ
 * Rebis parametric EQ

Tape machines & mastering

 * 2 x Studer A80 – one normal, one modified
 * Lyrec TR532
 * Mitsubishi X850 digital 32-track
 * Ampex ATR-100 1/2-inch
 * Revox B77 1/4 inch
 * Sony PCM-F1

Miscellaneous studio equipment:
 * Adams-Smith 2600 synchronizer
 * SSL 4048 E-series console – a.k.a SSL 4000
 * Yamaha NS-10 monitors