Genesis Duke equipment

Duke was Genesis' tenth studio album, released in March 1980 after a period of inactivity for the band.

Phil Collins
Drums:
 * Premier 717 Elite Black concert tom kit /w Gretsch bass drum
 * Premier "Soundwave" double-headed kit

Cymbals
 * assorted Zildjian & Paiste

Misc.
 * Roland CR-78 CompuRhythm drum machine - "Duchess"
 * assorted percussion

Source: various, Modern Recording & Music May 1981

Tony Banks
Keyboards & synthesizers:
 * ARP 2600
 * Roland VP-330 Vocoder Plus
 * Sequential Circuits Prophet-5
 * Yamaha CS-80
 * Yamaha CP-70 grand piano
 * Yamaha 9' grand piano - belonged to Polar Studios, used on "Please Don't Ask" etc.

Effects
 * Boss CE-1 Chorus Ensemble - on CP-70 at least
 * MXR MX-134 Stereo Chorus
 * MXR Phase 90
 * misc. fuzz boxes

Mike Rutherford
Guitars:
 * 1975 Fender Stratocaster USA sunburst: Mike's main guitar
 * Ibanez Artist 2622 - possibly used someplace
 * Kramer DMZ-3000 - possibly used someplace
 * Roland GS-500
 * Shergold double neck: mainly bass half

Guitar synthesizers
 * ARP Avatar
 * Roland GR-500

Amplifiers
 * Yamaha G100?

Effects (more info to come)
 * Boss CE-1 Chorus Ensemble
 * MXR MX-117 Flanger
 * Colorsound Fuzz

Sources:
 * International Musician & Recording World, May 1980 - described Mike's gear on Smallcreep's Day, at least similar to on this album
 * Beat Instrumental, May 1980
 * Musicians Only, 1 March 1980 - described gear on Smallcreep's Day

Microphones
Virtually no first-hand information is available on the microphone setups used on Duke, but based on some available information the following microphones were identified. Including a comment about tom-tom mikes in a Recording Engineer/Producer forum discussion by Wyn Davis, owner of Total Access Studios where David Hentschel worked on Brand X's Manifest Destiny album in 1996 (post-Phil Collins era).
 * AKG C34: reportedly a favourite at Polar Studios for drum overheads, stereo piano & vocals
 * Neumann U87 or U67: possibly used for tom-toms

Mixing consoles

 * Harrison 4032 (Polar Studios, heavily modified)
 * Helios 32/24 /w Allison 65k programmer (final mixes at Maison Rouge)

Tape machines

 * MCI JH-24 24-track (Polar Studios)
 * Studer A80 24-track (Maison Rouge)
 * Studer A80 2-track (Maison Rouge)
 * Studer B67 2-track (Maison Rouge)

Outboard gear (Maison Rouge Studios)

 * Allison Research Kepex noise gates
 * Audio & Design compressors/limiters (x2)
 * EMT plate reverbs
 * Eventide 1745M Digital Delay
 * Eventide H910 Harmonizer
 * Eventide FL201 Instant Flanger
 * Klark Teknik graphic EQ's
 * Lexicon digital delay
 * Marshall Time Modulator
 * MICMIX reverb
 * UREI Graphic Equalisers
 * UREI 1176LN peak limiters (x4)

Studio monitoring

 * Tannoy in Lockwood cabinets, driven by Crown DC-300A - Maison Rouge studios